Paris: Payot & Cie, 1919, “troisieme mille”, octavo, [6] [7] - 256, [2 blank] pp., original yellow printed paper wrappers, some dustiness to wraps, else very good.
This
book was an important source book for W. E. B. Du Bois’ The Black Man and
the Wounded World: A History of the Negro Race in the World War and After, the
work was of great personal importance to Du Bois, however, it remained
unfinished. In the years during and immediately following World War I, W.E.B.
Du Bois was deeply involved in organizing and writing a multi-volume work on
the role of African Americans in the American Expeditionary Force. He hoped that
African-Americans, through their participation in the conflict, would finally
achieve their full rights of citizenship in the country they helped to defend.
As Du Bois progressed on his work, he expanded his hopes that the participation
of the soldiers of the African diaspora in the European conflict would result
in the end of colonialism in Africa and better treatment for members of the
African diaspora worldwide. The book also influenced Du Bois’ own burgeoning
Pan African movement which engaged him simultaneously, organizing two
Pan-African Congresses in Paris and Lisbon.
Part of this inspiration came from the
book offered here. Alphonse Séché was a well-known Parisian journalist, poet,
and playwright. He had commanded a regiment of Senegalese soldiers during the
war. The book offered here is a combination memoir, history, and propaganda
concerning the place of African soldiers in post-war French colonial life. The
book has a preface by Séché’s friend Charles Mangin, the architect of the
French Force Noir. The book is not without its issues, including a
paternalistic tone which falls flat today, but for Du Bois Séché’s book had one
major practical conclusion: “The war has revealed a new factor in French
power, The Black Army, whose general valor, as much European, as Colonial,
tested now, can no longer be doubted.” For Du Bois the book was proof and served to
countermand the disdain for Black troops exhibited by their white officer corps
– something Du Bois saw first-hand and bitterly resented. Vindication of the
African American soldier was the motivation behind Du Bois’ work.
For a complete study of Du Bois’s efforts to complete his work see the recent excellent study by Chad L. Williams, The Wounded World W. E. B. Du Bois and the First World War (New York: Farrar, Straus and Giroux, 2023) For Williams’s treatment of Séché’s work see pages 234-235.